New Mexico

‘Symbols & Concepts’ Workshop with Joel Nakamura @ Stranger Factory 9.9

  • by

In conjunction with his Kaiju vs. Yokai exhibition opening next month at Stranger Factory, celebrated folk- and neo-primitive artist Joel Nakamura is hosting a small-group rendering workshop at the gallery on Sunday, Sept. 9th at 3pm.

The one-hour class will apply basic drawing skills and introduce students to working on concepting (idea creation) and visual communication through symbols/icons and rough-form short-hand sketching. Design students, this class is for you!

The cost of the workshop is $25 ($20 w/ valid student ID), including supplies. Space is limited to only a dozen spots. A pre-paid deposit is required (non-refundable) in advance to reserve your spot in the class. To RSVP, stop by or call the gallery at (505) 508-3049, or Paypal to kathieolivas@msn.com (make sure to add ‘Joel Nakamura Workshop’ as the subject line).

** Bring a notebook if you want to take your own notes during the workshop. Photos and video must be approved by Stranger Factory staff in advance.

Don’t miss this rare opportunity to learn direct from a master of tribal art and mythology in an up-close and intimate setting!

Stranger Factory Presents: The Pit of Unease, Anomie, Mystic Visions & Kaiju Vs. Yokai, 9.7

Stranger Factory is proud to present four solo exhibitions opening next month that explore the magic and mystery of otherworldly creatures.

Join Travis Lampe in The Pit of Unease, a new collection of 2D works that chronicles his descent into the bowels of the earth. Ready your tights and ridiculous hats, for you are about to encounter some of the most dangerous and improbable creatures ever painted! From pugnacious owls to wacky wizards and other silly, elbowless characters, strange things are afoot in The Pit of Unease!

Read More »Stranger Factory Presents: The Pit of Unease, Anomie, Mystic Visions & Kaiju Vs. Yokai, 9.7

Startling Art! A Conversation with Dennis Larkins

  • by

I’d be willing to bet that most of you know Dennis Larkins’ work and don’t even know it. Despite his expansive, 40-year-plus art career as a 3D painter and being one of the major players in LA’s Lowbrow movement in the ’80s and ’90s, Larkins is probably best known for his rock art, having created some of the Grateful Dead’s most famous gig posters for their now legendary stints at the Warfield in San Fran and NYC’s Radio City Music Hall in October 1980.

Like many artists, Larkins was well accustomed to having parallel careers, working as a scenic artist, set designer and rock n’ roll art director, while still actively pursuing his own artistic exploits. In the late ’80s, he went from Dead artist to Disney Imagineer, designing exhibits and attractions for Disneyland and Disney World.

But then there was the other side of Larkins’ work: the sci-fi nerdery, the dark humor, the sculpted dimensional relief … this is where it gets particularly interesting, at least from a designer toy standpoint.

Let me put it this way: the whole premise behind the toy movement was to redefine the canvas; to take characters from a 2 dimensional world and reimagine them in 3D. To make them tangible, ‘real’, and in a form that is more interactive for the collector. Well, Larkins had a similar idea about 30 years prior, but did it without abandoning the canvas. Instead, he started building upon it. Using foam, rubber and various plastics, Larkins pioneered a whole new chapter of conceptual realism. By applying a combination of low- and high-relief sculpture right onto the canvas, he’s able to create the illusion of an entire scene popping out at us. Some paintings have many layers, some only a few, but even his ‘deepest’, most complex pieces never exceed five inches. This was entirely new to the art scene in the 70s and transformed the canvas’ expressivity.

I recently caught up with Larkins to discuss his work, his plans with Stranger Factory and his move back to Santa Fe, NM, from LA after a 20 year absence.

Read More »Startling Art! A Conversation with Dennis Larkins

Tonal Illustration Workshop with Travis Louie @ Stranger Factory 8.5

  • by

As part of his Spirits exhibition opening next month at Stranger Factory, renowned fine artist Travis Louie is hosting a very special, small-group rendering workshop at the gallery on Sunday, Aug. 5th from 3pm to 6pm.

The class will introduce students to basic and intermediate multi-medium illustration techniques, as well as instruction in tonal rendering using graphite, liquid graphite, ink washes pastels and gouache on paper. The rendering of light and form will be explored, as well as drawing from a still life set up.

The cost of the workshop is $100 (supplies included) and space is limited to only a dozen spots. To RSVP, stop by or call the gallery at (505) 508-3049, or Paypal to kathieolivas@msn.com (make sure to add ‘Travis Louie Workshop’ as the subject line). A 50% deposit is required (non refundable).

** Bring a notebook if you want to take your own notes during the workshop. Photos and video must be approved by Stranger Factory staff in advance.

Don’t miss this rare opportunity to learn direct from the master in an up-close and intimate setting!

Stranger Factory Presents: Phil Noto’s ‘A Certain Splendor’ 7.6

  • by

It’s all in the details: the way he holds his jacket over his shoulder; the purse of her lips when aroused and wanting more. It’s a glint in the eyes or a crossing of arms. Comic book artist and painter Phil Noto is a master of subtlety; of revealing a subject’s true character through minute detail and candid expression.

Opening this Friday at Stranger Factory is Noto’s newest body of work, A Certain Splendor: a collection of paintings highlighting the aesthetic of the 1960s and ’70s. From casual moments, to vintage pinups, to images of things to come, these paintings feature beautiful women, handsome men, hard-boiled characters and the upper-class of a bygone era.

A Certain Splendor opens July 6th with an opening reception with the artist from 6pm to 9pm.

***

Phil Noto is an American comic book artist and painter whose work has been featured in and on the covers of numerous DC, Marvel and Dark Horse titles including Avengers, Batman, Batgirl, Jonah Hex and X-Men Origins. His fine art has been exhibited throughout the US.