September 2012

Three for Thursday with Steve Brown

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Today starts a new feature on the Circus Posterus blog called Three for Thursday. Every so often on a Thursday, we will ask some of the Circus artists and fam a question picking their brains. The premise is simple, Ill ask a question wanting three answers. (yes this is a throwback to the days of zines)

For the fledgling entry, we have the yo-yo master and a man behind many scenes at Circus Posterus, Mr. Steve Brown.

Today I posed this question to Steve, “What three albums changed your life?

Now we let Steve tell us:

It’s absolutely impossible for me to do a “Top Three”. So many albums have changed my life at so many different times and places…Jawbreaker’s “Dear You” bled in to “Orange Rhyming Dictionary” by Jets To Brazil which led me to “Board of Rejection” by Gunmoll and those three albums kept me plenty sane at different points. How do I pick which album by The Clash meant more…trying to negotiate between “Sandinista”, the first album that made me really understand how much a band could push themselves even within the constraints of a major label and “London Calling” which was my first taste of white boys digging in reggae, and “The Clash” which was one of the first 3 punk rock albums I owned…it’s just impossible.

So here are three releases that meant a lot, but not until later. They didn’t rip the skies apart and change my world the second I heard them…but over the years I’ve gone back to them over and over and all of them have taken at least a decade for me to figure out how important they are to me.

In no particular order:

 Dead Kennedys – Fresh Fruit for Rotting Vegetables

The first DK album I actually heard was “Plastic Surgery Disasters”, and it was loaned to me my freshman (sophomore?) year of high school by Sean Mahan. I don’t think Sean realized the impact that he had on me in high school, probably because I never told him. He was one of the coolest people I’d ever met. There was a weird little trio of him, Patrick Billard, and Todd Blumenthal. Those guys had already forgotten more about music than I knew, and I would desperately eavesdrop on their conversations and furiously scribble down band names to look for later. I would beg, borrow, and steal to scratch up money to go to Einstein-A-Go-Go (an all-ages indie rock club at Jacksonville Beach) on the nights I knew they were going, to see bands I’d never heard of. I wanted to be cool so badly, it hurt. And those guys were just effortlessly cool.

So one day, Sean loaned me two cassettes…one was “Scratch N Sniff Car Crash” by the Swamp Zombies (I will maintain to this day that their fourth album, “A Frenzy of Music and Action”, is still one of the best albums ever released) and “Plastic Surgery Disasters” by the Dead Kennedys. He did this after my very disastrous attempt to strike up a conversation with him and Todd about some band that I was pretending to know something about in order to fool them into thinking I was cool. Todd was a hilarious guy who was also deeply sarcastic and could sniff out bullshit a mile away, and he quickly called me out on mine. Sean, I think, just felt bad for me when he saw the flush of burning humiliation creep in to my cheeks and he kindly rooted around in his backpack and handed me those two cassettes, saying only “I think you might like these.”

He was right. I did. I absolutely loved them, in fact. So much so that after my first listen that night, I wrote and dispatched letters to both bands’ record labels asking for a catalog and more information about those bands.

Doctor Dream Records informed me they were out of the first two albums by the Swamp Zombies, but sent me a catalog and some stickers. Alternative Tentacles sent me a loose cassette of “Fresh Fruit”, a catalog, some stickers, and a note that said “The case for this was smashed, but the tape works fine. It’s DK’s first album…if you like a band, always start at the beginning.” It wasn’t until years later that I saw someone get an autograph from Jello Biafra and recognized his signature…and realized that he’d written me that note and sent me the tape.

I played that tape until it died, and then bought it on vinyl and then again later on CD. And to this day, any time I hear a band I like, the first thing I do is hunt down their first release. Always start at the beginning.

Click More for the remaining two albums that changed Steve’s lifeRead More »Three for Thursday with Steve Brown

Dead Wood: A Conversation with Gary Ham

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So Halloween is kind of a big deal in these parts and we’re all stoked to bits as fright night creeps ever closer. We have two cracking exhibitions in store for the event: our second annual All Hallow’s group show, Bewitching II, and Dead Wood, a mini exhibit from the great Gary Ham. Our Steve Brown recently caught up with Gary to gab about the show and the surreal spookery he’s bringing to Route 66 Oct. 5th.

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Steve Brown: Let’s talk about your upcoming exhibition, Dead Wood. What’s the story with this new group of work?

Gary Ham: With the show taking place in October along side the Bewitching show, I thought it would be a lot of fun to keep my theme to creatures of the dead and an overall Halloween feel. I love drawing monsters and working in wood, so Dead Wood felt like the perfect title for the show. Usually the monsters might lurk behind the trees, but in this case, the trees became the monsters.

Read More »Dead Wood: A Conversation with Gary Ham

Dok A’s Ronald “Buzby” Flashman for “A Postcard from New Yorkshire”

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Doktor A has amazed us once again. He graciously sent us another sneak peek into a piece for his solo show A Postcard from New Yorkshire at myplasticheart. Last time we saw Ernest Longfellow, and now we are proud to reveal Ronald “Buzby” Flashman.  

Speed fiend Ronald has upgraded and restyled his limbs for the ultimate racing performance.
He is possibly the fastest Mechtorian on three wheels, competing in epic marathons of speed and endurance, he is unrivalled.
But he has great difficulty in picking things up
Ronald consists of:

Customised Sketchbot toy by Steve Talkowski
Vinyl, Epoxy resin, ABS, Lead, Glass, Brass, Steel, Vintage box base.
7″ tall. (9″ tall on base.)
Dok’s amazing robots are constantly pushing the boundaries of amazing and never stops with the jaw dropping astonishment. The anticipation keeps growing with every sneak peek into what will be showcased.

The show opens on Oct. 12th from 7 – 10pm.
MPH
210 Forsyth Street
New York NY 10002

 

I want an Octophant!

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It seems that most cities do cool things these days for fun. Some cities have cows all around and some like mine have painted catfish perched in odd places, but the city of Chicago got The Impossible Octophant. The city hired Phineas X. Jones of Octophant to create something for a metra stop, and what they got was The Impossible Octophant. In the future, we may see these as prints if funding comes in, but for now Chicago has some eye candy.  I love the World’s Fair look to it and carnival creature style! Also, am I the only one that would love to see this as a 3D vinyl form?

Behind the Scenes of Le Carnaval: Museum Day

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By Sethsabbat

A good part of the day was spent around the Le Muséum national d’Histoire naturelle and Le Jardin des Plantes, with the impressive Galéries de Paleontologie, built in 1897.  If you like bones, this is the place to be.

A stroll through the gardens to get to the Grand Galerie de l’Evolution, where a strange worm like creature made an appearance.

Then off to another building to see the famous Cabinet de Curiosités de Bonnier de La Mosson.  Stayed on the left bank, a walk around the Latin quarter and a stop at Notre Dame.

Gary Ham’s SF Exclusive Wooper Looper for ‘Dead Wood’ 10.5

As part of Gary Ham’s Dead Wood exhibition opening next month, Stranger Factory is offering an exclusive colorway of his popular sofubi figure, Wooper Looper! Sporting the gallery’s signature black and orange, this adorable axolotl is here just in time for Halloween. Designed by Gary Ham and sculpted by the great Chauskoskis, this edition is a run of just 33 pieces and can only be purchased through Stranger Factory. Be sure to sign up for the preview via the email form on the Stranger Factory homepage for the full scoop (if you haven’t done so already — you need only sign up once!).

 Dead Wood opens Oct. 5th in conjunction with Bewitching II. A reception will be held for both exhibitions on Oct. 5th from 6pm to 9pm. Shows are on until Nov. 4th!

Le Merde and Kiyoka Ikeda’s Misty Fog’s Combat Rock

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Le Merde and Kiyoka Ikeda of Gargamel fame are set for their show Misty Fog’s Combat Rock! This melding of the minds will bring life to a vast array of works to Giant Robot starting this Saturday September 29. We will see everything from collabs of toys to even coasters (seen above) for your coffee table. From the preview images we see, the colors are gonna be all kinds of strong probably like the drinks going on the coasters.

The Rock starts
September 29th
at Giant Robot 2
 2062 Sawtelle Blvd.
Los Angeles, CA 90025.

More previews of the rock when you click more.

Read More »Le Merde and Kiyoka Ikeda’s Misty Fog’s Combat Rock

KO’s Phantom Lizzie & Calliope Jackalope Handpaint for AFA NYC 10.20

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At long last: the full reveal of the long-legged lady Kathie’s been tormenting us with for weeks. Meet Phantom Lizzie: hand painted cast resin with oodles of hand-sculpted elements and a hella sexy pair of silver bat ears. Standing just under two-and-a-half feet, this gal is all legs and frankly, I can’t say I’d want it any other way.

And sittin’ on the dock of the bay beside Lizzie is a Calliope Jackalope handpaint: one of only a handful of small sculptures that will be on exhibition at AFA. Buckle up, folks: KO’s going big this year!

Haunted opens Oct. 20th at AFA NYC with an opening reception from 7pm to 9pm. Kathie will be attendance!

“The Texas Chainsaw Massacre” by Splurrt x Leucotomy

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The Leucotomy webstore is up and running! Now to celebrate, they have joined up with Splurrt to unleash on teens with a broken down car a  limited edition of Splurrt’s own Cadaver Kids with the ever sewn together, bloody mess of  “The Texas Chainsaw Massacre” version customized by Leucotomy. We will see one soon I am sure in Mikee’s Mail Day, but for now you can order starting today September 25th in the Leucotomy store here.

The Horror Art of Mia Mäkilä

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While television networks start their horror programming gearing up for Halloween, we too are getting the bats hung and knives sharpened. This is perfect timing to show off the self taught, images-from-your-nightmares work of Norrköping, Sweden’s own Mia Mäkilä who is one of the amazing artists in Bewitching II at Stranger Factory. To best describe Mia, we’ll go with her own words:

“I guess everyone’s calling me a “horror artist” because I deal with difficult emotions and themes such as fear, angst, madness, rage and sorrow in my art. But I also use a lot of humour. Making my demons having fun on the canvas. You could describe my art as horror pop surrealism or dark lowbrow. My work includes mixed media, paintings and digital collages.

I’m self taught, using my own techniques and constantly learning new stuff. Sometimes it works, sometimes it sucks, but that’s all part of my self education. The fact that I’m also an art historian has definitely had a great impact on my art. But I’m mostly inspired by movies and film directors such as David Lynch, Ingmar Bergman, Alfred Hitchcock, Roy Andersson, Terry Gilliam and Tim Burton and artists like Hieronymus Bosch, Pieter Bruegel, Francisco Goya, Jean-Michel Basquiat and the masters of Disney Studio’s in the 1930’s-40’s. All my colleagues in the Lowbrow Art Movement are also inspiration sources.”

Mia’s work for Bewitching II can be seen starting Oct. 5.

Stranger Factory
109 Carlisle Blvd NE
Albuquerque, NM 87106
505-508-3049

Hit the jump for images of Mia’s past work.

Read More »The Horror Art of Mia Mäkilä